That is true, but we aren’t nearly done with this yet. Now, you might be thinking “This is all well and good, but I could’ve just done this with a Simple Delay and the dry/wet knob”. You can adjust the delay time (preferably something low like 5 -10 ms) to hear the effect on the audio. This is the basic principle of ADT, one audio stream mixed with a copy of that stream slightly offset in time. To get our second tape machine, create another chain and call it ‘Double’, then drag a Simple Delay onto the chain from the browser, link the channels, set the delay mode to time, set the feedback to 0% and the dry/wet to 100%. Call this chain ‘Original’, this will be our original, dry signal. Ctrl + click (right click on PC) in the area that tells you to drop an audio effect and select ‘Create Chain’. To get our first ‘tape machine’, click on the second button on the left side of the audio effect rack to expose the chains section. Hopefully by following along you get a larger grasp of how flexible racks are for processing audio.įirst drag an empty Effects rack from Live’s browser onto an audio or midi track. We will be more or less building that up step by step below. To mimic this in Live we will use an Effect Racks to process two (and more) streams of audio. The original technique used two tape machines that are slightly out of sync to replicate this, so at it’s most basic level it’s two identical signals with one offset in time by a very small amount. Luckily for me, Live has the tools to do that. It’s a similar effect to that of a flanger and phaser, but I thought it would be interesting to try and mimic an ADT effect based on the parts used in the analogue recording process.
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I will try to also include the Windows equivalent when I can, but don’t hate me if I forget.Ī few months ago I was watching a video for a new VST effect that was meant to recreate the effect of Automatic Double Tracking.Ī recording technique that was meant to emulate the effect of two very similar performances layered on top of each to achieve a richer and wider sound.
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I use a Mac for my computer music, so key commands will be referenced using Mac lingo.
Max 4 Live is now included in Live 9, so if you’re up to date you should have access to all the devices we will be using. These pieces will be native Live devices, and one Max 4 Live device. In this first installment we will examine recreating a complex effect by building it from smaller pieces.
Arguably one of Live’s most powerful tools for both setting up creative effects and crafting useful utilities that can be used time and time again. If you’re a seasoned user, I’m sure that you know about racks, and if you are a relative rookie, you should get to know them, and know them WELL. Let’s talk about Effect Racks in Ableton Live. Posted January 20th, 2015 by Evan Bogunia & filed under Ableton Live, Blog.
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